Wednesday, December 29, 2010

Finally, a real person at Charter

A screengrab of my riveting exchange
with @CharterDylan

While Penny Hubbard's comically large necklace is entertaining, those Charter Christmas PSAs with elected officials urging us to "refrain from texting while driving" are just awful. One would hope politicians could deliver words in a more convincing manner.

Last night, after seeing roughly 10 of the ads over the course of two hours, I Tweeted. And this morning, Charter responded.

After years of horrible customer service from Charter, this is refreshing — just knowing someone is listening. Thanks, @CharterDylan!

Find more real people from Charter: http://www.charter.com/Umatter2Charter.

Tuesday, December 28, 2010

Dear Esquire:

Words mean things, too.
Give it a rest with the obscured coverlines.

Holy nutcrackers

Note that Mary uses her chin and not her mouth.
And that the baby Jesus is vaguely nut-shaped. 
Weird.

Sunday, December 26, 2010

Here comes 30

Omits time of birth: 2:38 a.m.
Also, Grandma gave me this: a card (written by Mom) that Dad gave her on the day I was born, nearly 30 (30!!) years ago.

Lordy.

From the archives

No free buffet lunches were won with these cards. Ever.
Grandma just pulled out her wallet to show me some photos, and this caught my eye: my business card from the college newspaper, The Capaha Arrow, circa 2003.

God, the kerning on that P-A pair is awful. I've come a long way.

Saturday, December 25, 2010

Thursday, December 23, 2010

Theater review: Circus gets upstaged in 'Cirque Dreams Holidaze'

"Cirque Dreams Holidaze," now playing at the Fox Theatre, is surprisingly short on cirque.

Not traditional clowns-and-elephants circuses, Cirque Dreams' shows are heavy on theatrics and original music. But those elements aren't particularly strong in this incarnation of the franchise, created and directed by Neil Goldberg.

While none of the circus acts in "Holidaze" are especially astounding, they are a pleasure to watch: A pair of aerialists twist and glide through a spinning ring; a cooing baby elf climbs high into the air on a tower of chairs and milk bottles; a pair of penguin roller-skaters race atop a circular platform; and a husband-and-wife team performs a beautiful aerial dance with a long piece of fabric, often soaring above the first few rows of the audience.

But there's a lot competing for attention, and too often the circus is upstaged by the other characters. Even the busy set is distracting, and the dim, neon lighting doesn't do much to highlight what we're supposed to pay attention to.

"Holidaze" attempts, like too many circuses, to have a plot: The Christmas ornaments have come to life. It's a fun idea, but there is little follow-through, making every scene feel random. Several odd characters come and go for no reason, including a moon-headed couple resembling onetime McDonald's mascot Mac Tonight and a group of eerie, floating children's faces. In one scene, actors appear, inexplicably, with hand puppets.

"Holidaze" comes with the requisite audience interaction, including a child who is plucked from the crowd and sent onstage (too soon we determine the child is with the cast) and a fun (albeit belabored) routine where a conductor teaches five audience members to play handbells.

The show includes a few familiar Christmas tunes, but the original music and lyrics by Jill Winters and David Scott are forgettable. It's often a struggle to decipher what the songs are about, though more than one hint, oddly, at the economy.

Emily Matheson, in a hoopy dress that seems taken from Lady Gaga's closet, is a standout, singing beautifully as the Ice Queen. It's a shame she doesn't have better material to work with.

There is plenty here for children to enjoy — if they're not scared by the show's dark undertones. But grown-ups likely will be the ones who leave "Cirque Dreams Holidaze" feeling a bit dazed and confused.

By Gabe Hartwig • ©2010 St. Louis Post-Dispatch, STLtoday.com • Published 12.23.10